Picking the Right Harman Audio for Your Business: It Depends on Your Space
Not All Offices Sound the Same
When I first started managing audio equipment orders for our company, I assumed a good speaker was a good speaker, regardless of where you put it. I figured if the specs looked right on paper, the sound would be right in the room. It took about 18 months and three very different office setups to realize that was completely wrong.
The truth is: there's no single "best" Harman speaker for every business. What works for an open-plan office will frustrate a conference room, and what sounds great in a boardroom might be overkill—or worse, underperform—in a large event space. So let's break it down by where you're putting it.
Scenario A: The Open-Plan Office
The problem: You need background music that's audible but not intrusive. Employees should be able to take calls without shouting.
The recommendation: Distributed, smaller speakers. Think multiple JBL Control 25-1 or JBL Professional CBT 50LA units. These are designed for even coverage, not volume. I learned this the hard way when our VP of Ops bought a single high-wattage speaker for the main floor—it was either too loud near the speaker or too quiet 40 feet away.
What I'd do differently: Look for speakers with wide dispersion patterns. Harman's JBL line has models with a 120° coverage angle, which is a godsend for open spaces. Don't focus on wattage; focus on coverage. And absolutely get a demo in a similar-sized room.
Key specs to check for open plan:
- Coverage angle (100°–120° is ideal)
- Low-wattage tap setting on the transformer (for 70V/100V systems)
- Enclosure design—weatherized options are worth it if near windows or HVAC vents
Scenario B: The Conference Room (4–12 People)
The problem: You need clear audio for video calls. No echo, no feedback, no tinny playback.
The recommendation: A soundbar or a small, dedicated conferencing setup. The Harman Kardon Enchant 1300 or a JBL Professional CS2100 series soundbar are strong contenders. But—and this is the counterintuitive part—don't assume a higher price tag means better conferencing audio. Consumer-grade speakers with fancy specs can actually hurt in a conference room, especially if they have heavy bass processing.
I once ordered a high-end Harman Kardon home theater speaker for a meeting room because the specs were impressive. It sounded fantastic for music, but on calls, the built-in subwoofer made voices sound boomy and unclear. We had to swap it out after a month.
What I'd do differently: Prioritize speakers designed for speech reproduction. Look for models with built-in DSP for speech clarity, or pair a speaker with a separate microphone array. Harman's conferencing lines often include this—they're not trying to sound like a concert hall.
Key specs to check for conference rooms:
- Frequency response that emphasizes 200–4000 Hz (speech range)
- Built-in echo cancellation or compatible with external DSP
- Mounting options—wall or table placement changes acoustics dramatically
Scenario C: The Multi-Purpose or Training Room (15+ People)
The problem: One room used for presentations, video calls, and sometimes small events. Need flexibility.
The recommendation: A hybrid system. Think a pair of JBL Professional EON710 powered speakers for the main sound, plus a small subwoofer if needed. These are portable, can be mounted or placed on stands, and handle both speech and music well.
This is where the industry evolution really shows. Five years ago, you'd have needed a full rack-mounted amplifier setup—costly, complex to operate, and hard to maintain. Today, powered speakers with built-in DSP and wireless control make it much simpler. But here's the catch: not all powered speakers are equal for conferencing. The EON710 has a feedback-suppression mode that's genuinely useful for training rooms, but you need to turn it off for music playback. It's a small hassle that makes a big difference.
What I'd do differently: Plan for two use cases, not one. If the room is used equally for training (speech) and informal events (music), get a system that lets you switch modes easily. Some Harman systems have preset memory—program them for "conferencing" and "music" separately. It's a feature I used to ignore, now I won't buy without it.
Key specs to check for multi-purpose rooms:
- Powered speakers with built-in DSP
- Preset memory or mobile app control for quick mode switching
- Coverage pattern that can be adjusted (e.g., the EON710 has a rotatable horn)
How to Know Which Scenario You're In
If you're not sure where your use case fits, ask yourself these questions:
- Is the room primarily for calls? If yes, go with Scenario B (conference room setup).
- Is it a large open area with lots of people walking through? Then Scenario A (distributed speakers) is your answer.
- Does the room get used for presentations and casual gatherings? Scenario C (hybrid system) is the way to go.
One more thing: I used to think that if you budget enough, you can get one system that does everything perfectly. After managing six different rooms across three locations, I've realized that compromise is inevitable. The goal isn't perfection in every scenario—it's solid performance in your primary use case, with acceptable quality in secondary ones.
As of early 2025, Harman's product lines are increasingly modular. You can start with a core system and expand later—so don't overthink it. Pick the scenario that matches your most important use case, get a demo, and go from there. If you need help deciding, feel free to reach out—I've made enough mistakes to know which questions to ask.
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